Fashion Dresses - Not least because it means something can be worn at any time without having to wonder what is what—a complete look encapsulates much of the designer's stylistic ethos.
Aside from shoes, dresses are the most democratic clothes because everyone has their own style, no matter how tall/short/skinny/fat you think you are.
Fashion Dresses
Here, the five pillars of London Fashion Week discuss the dresses that define them and the thinking behind creating the ultimate armor that combines glamour and strength.
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This gold sequin dress was my favorite of the season because it had a Simone Rocha character, but then paired with a gold sequin bra, it played with the idea of nudity and femininity.
When worn by the iconic Kirsten Owen, as in the show, it showcases the contrast of timelessness and youthfulness. It has a sturdy waist and an asymmetrical ruffle that pushes the idea of a classic feminine imbalance.
I want someone wearing a Simone Rocha dress to feel feminine, strong and modern; the strength of a piece of clothing is like a layer of protection on your body, worn like a second skin.
I definitely think there is one dress that sums up my brand at first glance. It is a dress in a very bright and unexpected color, or a dress with many unexpected color combinations that conflict with each other. I want to challenge the eye and I love the element of surprise. It has a modernity to it and I love that you break the rules.
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My dress also has a sculptural element - usually the sleeve - and it's long and covers the body so I have a large canvas to play with. If a dress doesn't have that much fabric, I don't feel like I can express all the volume and fabric I want, which is why my dresses are so voluminous and sculptural.
Training as an architect definitely influenced me as a designer. I have a flowing building in my clothes. The most important element is the shelter, it's more important than the vision, but I think the house is to protect us and shelter us, and I thought of clothes like this. They make you the best version of yourself, and they also give you a soft touch that makes you feel happy.
It's hard to be sure that one thing sums up everything. But I've always been fascinated by femininity and its powerful language.
I'm also concerned with this idea of taking away and then putting together the idea of femininity. I'm also fascinated by things with very human hands, whether it's embroidery, prints or textiles. This is shown through different stories, such as my SS15 series citing Marianne North, an important Victorian biologist at the time, who traveled the world unaccompanied, or AW19, Princess Orietta Doria Pamphilj.
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Ultimately, I always feel the need to make sure the woman I wear feels absolutely powerful and beautiful.
The British designer is creating bespoke displays for future London sponsors The Edwardian Hotel London and the official London Fashion Week hotel, The May Fair Hotel. The exhibition runs until September 22
I don't think I have signature dresses, and while my dresses in general are structured on one hand, they also look simple and fluid. Even tailored, the drape is beautiful and the silhouette is nice. Then I add embroidery or surface textures.
My clothes incorporate many different layers of British multiculturalism, and the cultures blend seamlessly. A gown that may reflect this is the one Emma Watson wore to the 2016 White House Correspondents' Dinner, with beautiful 3D embroidery and a low neckline.
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I want women to feel comfortable in my dresses...never too delicate, I guess that's the power of a beautiful dress. Of course, they're also simple, a strong indication that you just have to put them on, like a jumpsuit in many ways.
The Galaxy dress is Roland Mouret's most iconic piece. Customers know Galaxy's story and want a piece of it. It contains the female form. This is a garment that does not meet the standards of a man. A silhouette you can rely on for a season.
Different women will come to the Galaxy at different times in their lives because they need what it has to offer. I think it's an "I deserve it" moment without having to resort to plastic surgery.
In Killing Eve, when Villanelle (Jodie Comer) recognizes her female form, she's wearing my dress.
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